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Top Historic Sites in Europe, Part 5

Erin — Tue, 23 Jan 2018 02:30:37 +0000

Welcome to Part 5 of my Top Historic Sites in Europe series! I’m glad you came back to check out some more fantastic sites. So far we’ve done the top historic sites from 40 countries in Part 1, Part 2, Part 3, and Part 4 and today you’ll get to see 10 more in Part 5! I have really loved learning more about these countries along with the significance of some of their historic sites and I’m so excited to share this with you. With a recorded history going back over 37,000 years, there are just way too many fascinating places to see them all. That’s why I’ve partnered with other travel bloggers to find out which sites are of the most historic and significant importance for each of these countries. I hope you’ll enjoy what we’ve put together today. Austria – Melk Abbey Melk Abbey is a Benedictine abbey that was founded in 1089 when Leopold II gave one of his castles to a monk from Lambach Abbey. It was used as an abbey until the 12th century when it was converted to a monastic school. Over the centuries, Melk Abbey became renowned for the extensive manuscript collection housed there and for the monastery’s production of manuscripts. This abbey is also known for being the center of the Melk Reform movement in the 15th century. Unfortunately, the original Melk Abbey no longer stands. Sometime in the 16th century, the abbey was torn down and in 1702, the current Baroque structure was built. It took 34 years to finish the abbey and adorn it with medieval frescoes, after which it was filled with the current collection of medieval manuscripts. In the late 1780s, Austria underwent a period when the Emperor begane dissolving abbeys around the country. Because of its notoriety and academic standing, the abbey was spared. Melk Abbey was also threatened during the Napoleonic Wars, but it wasn’t until the Anschluss in 1938 that the abbey was ever taken over. The Austrian State closed the school at Melk Abbey and took over several buildings in the complex. It wasn’t until after WWII that the school returned to the abbey, where it still resides today. Erin Tracy is the owner and author of Traveling Thru History, which she uses to share her love of history, culture, and travel with her readers. You can also find stories and pictures of her travels on her Facebook , Instagram, and Twitter pages. Cyprus – Stavrovouni Monastery Stavrovouni Monastery was founded by Saint Helena, the mother of Byzantine Emperor Constantine I, around 327–329 AD and is one of the oldest monasteries in the world. During Saint Helena’s pilgrimage to find the cross Jesus Christ was crucified on, as told in the Stavelot Triptych, she is said to have found the three crosses Jesus Christ and the two thieves had been hung on. After excavating them and beginning her journey back to Constantinople, she was shipwrecked in Cyprus and the Holy Cross miraculously transported to the top of the mountain where a bright light was being emitted. Saint Helena attempted to remove the Holy Cross several times, but it would not come out. Once she decided to leave a piece of it there and build a chapel around it, the Holy Cross removed from the mountain. After the chapel was built, a group of Orthodox monks began living there. They were the caretakers of the Holy Cross until it disappeared during the 1500s. It is assumed the Ottoman Turks took it or destroyed it during their occupation of the island, with it being noted the cross was gone in 1598. The Turks took control of Cyprus and banned the monks from the monastery from the 16th to the 19th centuries. A fire almost destroyed the church, iconostasis, and monks’ cells during a fire in 1888 when it was reinhabited, but it took less than a year to repair the damage and get the monastery up and running again. Unfortunately, the only ancient relic that still exists is a silver cross that houses a small sliver of the Holy Cross that once stood there. Since the 1890s, Stavrovouni Monastery has become the spiritual center of Cyprus. Monks are trained at Stavrovouni Monastery and then sent to struggling monasteries in the region to help them grow. Because of its popularity and success, the monastery was restored in the 20th century and is now adorned with frescoes and icons that tell the legend of its founding. Erin Tracy is the owner and author of Traveling Thru History, which she uses to share her love of history, culture, and travel with her readers. You can also find stories and pictures of her travels on her Facebook , Instagram, and Twitter pages. Poland – Auschwitz Auschwitz-Birkenau has to be one of the saddest places we have even been. What was once a Polish Army Barracks was turned into one of the most notorious Nazi Concentration Camps of WWII. Auschwitz I was originally constructed to house Polish political prisoners before becoming one of the biggest extermination camps with the building of Auschwitz II-Birkenau a few kilometres away. The first trains carrying Jewish men, women and children arrived at Birkenau in September 1941 where they were unloaded and selected for either work at the camp or where sent to the gas chambers that were onsite. The Auschwitz I barracks or ‘blocks’ were also used to do medical experiments on some of the prisoners that came through the camps. Dr Joseph Mengele was one doctor that did hideous experiments on people especially twins while he was at the camp. It is believed that over 1.3 million Jews were murdered at Auschwitz-Birkenau from its opening until late 1944 where the remaining prisoners were left to either starve at the camp or led on a death march as the liberating armies approached. Auschwitz II-Birkenau was finally liberated by the Red Army on the afternoon of the 27th of January, 1945 with Auschwitz one being reached a few hours later. I believe visiting here gives you a greater sense of the loss and the scale in which it was reached. The barracks are now places that tell the stories of the camp, the unspeakable things that happened there. It is a home to some peoples possessions that were left at the camp when it was liberated and a reminder that it should never, ever happen again. Bec Wyld of Wyld Family Travel and her family are from a small country town in Victoria, Australia. They juggle full-time jobs, school, a mortgage, and life with fitting as much travel and day trips in as possible, all of which they share on their Facebook page along with fun, affordable attractions and destinations. Czech Republic – Prague Astronomical Clock In Prague’s Old Town Square stands one of the most unique clocks in the world. It is made of three parts: an astronomical dial, a set of clockwork figures called “The Walk of the Apostles,” and a calendar dial with medallions representing the months of the year. A popular legend in the city says that if the clock is neglected and is unable to operate well, the city will suffer, but it is unknown if the city did suffer during the many times the clock stopped working. The first part of the clock created was the mechanical clock and astronomical dial in 1410. It is believed the calendar dial was added in 1490 and the gothic sculpture facade was added around the same time. Another legend surrounding the clock tells that the Prague Councillors ordered that the clockmaker, Hanus, be blinded so he couldn’t repeat his work. As revenge, he disabled the clock and it took over a hundred years for anyone to figure out how to fix what he’d done. The next change after the clock was repaired in 1552 came in 1629 when wooden statues were added to the clock. Major repair work was carried out from 1787 to 1791 and that was when the figures of the Apostles were added. Later, during repair work in 1865, the golden rooster was added. In May 1945, during WWII, the Germans fired on Czechs who were resisting the occupation and damaged the clock. Buildings in the square were burned as well as the wooden sculptures on the clock and the original calendar dial face from 1490. It took three years to repair the damage and restore wooden Apostle sculptures on the clock. Since 1948, the clock has only stopped working twice. The first time was in 2005 when the statues and lower calendar ring were restored and nets were added to keep the pigeons off the clock. The second time ws in July 2017 when additional renovations were carried out on the tower. Erin Tracy is the owner and author of Traveling Thru History, which she uses to share her love of history, culture, and travel with her readers. You can also find stories and pictures of her travels on her Facebook , Instagram, and Twitter pages. Iceland – Hólar í Hjaltadal Hólar Cathedral is a small and well-known church high up in the mountains of Iceland. While this is one of the oldest churches in Iceland, it isn’t the first church to sit on this site. Six previous churches stood in its place and none were fated to last very long. The first church on this site built in 1050. That one was destroyed a few decades after it was finished and another was built in the late 11th century. The second church fared no better and was rebuilt in the early 12th century. This church lasted until the end of the 13th century and the fourth was built in 1300. That church lasted around 90 years and was rebuilt around 1394. The sixth, and final church, was erected in 1757. Once the present church was completed in 1763, it was consecrated a cathedral. Hólar lost its standing in 1801 when the Diocese of Hólar was dissolved and combined with the Diocese of Iceland. This was short-lived and the church was once again consecrated a cathedral in 1909 when the Diocese of Hólar was reestablished. While the red stone church may seem small and unassuming, it is very interesting and important to the people of Iceland. Hólar is the oldest stone church in the country and one of the best known historic sites in Iceland. The red color of the stones used to build the church were mined from the mountains above the city. Another item of note is that a copy of the first Icelandic Bible from 1584 is on display inside the church. As for the tower beside the church, this free-standing tower was built in 1950 in honor of Bishop Jon Arason, the last Catholic bishop of Iceland. He and his sons were beheaded in 1550 when the nation changed the national religion from Catholicism to Lutheranism. Erin Tracy is the owner and author of Traveling Thru History, which she uses to share her love of history, culture, and travel with her readers. You can also find stories and pictures of her travels on her Facebook , Instagram, and Twitter pages. Luxembourg – Vianden Castle The site where Vianden Castle stands was first inhabited in the late 10th century. The castle was built in the early 11th century on the site of an ancient Roman watchtower and is one of the largest fortified castles west of the Rhine. The first structures built were a keep, a kitchen, a chapel, and residential rooms, which indicate an aristocratic family lived there. During the early 12 century, modifications were carried out. A new residential tower and a decagonal chapel were added while the palace keep was extended. In the 13th century, the palace keep was demolished and a new, two-story, structure was added along with a lavish gallery that attached it to the church. These renovations were made because the Count of Vianden wished to rival the House of Luxembourg in power and prestige. Having a grand palace and impressive castle fortress were one of the ways the Count of Vianden chose to do this. Over the years, Vianden Castle was renovated and modified,...

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The Stavelot Triptych

Erin — Mon, 15 Dec 2014 04:26:32 +0000

During the Middle Ages, religious travel was becoming popular. As more people began pilgrimages to seek out religious relics, different churches and monasteries began working to draw visitors and gain additional funding through donations left by the devout. Since very few churches or cities could lay claim to such renowned relics as were in Jerusalem and Rome, many commissioned elaborate housings for the small relics they did have in an attempt to draw visitors. It was during this time, roughly 1156 AD, that a small abbey in what is now known as Belgium commissioned local Mosan artists to create a reliquary to hold their small, precious relics. This is now known as the Stavelot Triptych. Background While it is not known who commissioned the Stavelot Triptych or the actual artist was, it is there is an understanding in the art community of where it originated. It is commonly believed the Abbot of Stavelot Abbey requested its creation and that Godefroid de Huy, a prominent goldsmith during that time, created the work. Wibald, the Abbot of Stavelot Abbey from 1130 to 1159, went to Constantinople in 1154 and returned to the abbey with a piece from the cross on which Christ was crucified, known as the True Cross, and a small scrap of the Mother Mary’s robe. In order to show proper reverence to these items and to draw additional interest in seeing them, Abbot Wibald had a beautiful and ornate Romanesque reliquary made for them: the Stavelot Triptych. A triptych is something that is made up of three pieces. In this case, it is a set of three ornately decorated panels that are hinged together so they can be closed and minimized for easy transport. The main panel of the Stavelot Triptych is set up like an ancient shadow box to display two smaller Byzantine triptychs which hold the relics Abbot Wibald brought back from Constantinople. Those triptychs date from the “11th or early 12th centuries” (Ross). On them we see depictions of the cross surrounded by images of Constantine and Helena, archangels and the military saints George, Procopius, Theodore and Demetrius along with four evangelists. The Left Panel While the objects in the center panel of the triptych are fascinating and worthy of attention, the side panels of the triptych are also remarkable and warrant equal attention. For, on the side panels we find the stories of Emperor Constantine’s conversion and St. Helena’s quest to find the True Cross. These panels are designed in a way that is very typical of Romanesque art during this time period. Bottom Medallion On the left-hand side of the triptych is the story of Emperor Constantine’s conversion to Christianity. The story begins at the bottom and is an idealized version of true events. In the bottom medallion, Constantine is shown having a dream of an angel. The angel is telling him he will be victorious if he goes into battle with the sign of the cross. The angel is bending over, gesturing up, while Constantine is laying down sleeping. This animated gesture is a contrast from the stoic poses used in Byzantine art as are the labels, details and speech bubbles, which are storytelling elements that are common of Romanesque art at this time. There are also various symbolic elements in the image. The crown hanging from the center shows Constantine is destined for greatness. The curtain being pulled aside behind him denotes he is a holy figure. There is a cityscape in the background which suggests that this takes place in a city in Rome. Middle Medallion The middle medallion depicts the end of the Battle of Milvian Bridge. In this battle, Constantine was victorious over Maxentius, who is seen running from Constantine’s troops who are carrying a cross. Constantine became Emperor after this victory, which he believed came about because he used the cross. As an added dramatic element, two soldiers lay dying at the bottom: one is speared while the other is bleeding out through the neck. This element was included because Romanesque artists told stories in more lively ways to engage the emotions of the viewer. The earth is represented, as well, to ground them and give them a more realistic and relatable quality. Top Medallion The final medallion telling the story of Constantine’s conversion is on the top left. In this medallion, we see Constantine being baptized, which is a partial fabrication. Constantine really was baptized, but not in the manner depicted in the medallion. He was actually baptized by a heretic, which the church did not want represented. This picture depicts him being baptized by Pope Sylvester at the end of his life while priests and ministers witnessed the ceremony. The lines on his body represent ribs and muscles which was done in a typically Romanesque fashion as Romanesque art exaggerated muscles and strength. This baptism is shown to be blessed by God by use of the rays and God’s hand and is shown to have taken place in Rome. The Right Panel On the opposite side of the triptych we see the story of Empress Helena, Constantine’s mother, seeking for and finding the cross which Jesus Christ was crucified on. This cross is known as the True Cross and is highly revered in Christian culture. It was sought after for years and is commonly believed to have been found by Empress Helena during her visit to the Holy Land from 326-328AD. Empress Helena is believed to have found the crosses for Jesus Christ and the two thieves who were crucified with Him and legend states that “a miracle revealed which of the three was the True Cross” (Wikipedia). Bottom Medallion As with Constantine’s story on the left, Empress Helena’s story begins at the bottom of the panel. The bottom right medallion shows Empress Helena sitting on throne, talking to Jewish elders. She went to the Holy Land to establish churches and relief agencies as well as search for relics and bring them back to Rome. In this scene Helena is seated while talking to the Jewish elders as she tries to get them to tell her where the cross Jesus was crucified on is. They refuse to tell her and she threatens them with fire, which is shown behind the elders. The Jewish elders are labeled as Jews and also dressed with white hats which denote them as Jews. As was typical with artistic conventions of the time, Jews wear different kinds of clothing that sets them apart from Christians in art. Middle Medallion In the middle medallion on the right, we see Empress Helena giving direction while the Jewish elders dig a pit. After severe threatening, the Jews finally capitulated and told Empress Helena where they thought the crosses were. Empress Helena had the Jews dig up (and destroy) the Temple of Venus, which is where the crosses were. This act is shown to be blessed by God by use of the rays and God’s hand. There were three crosses underneath the Temple of Venus and they had to figure out which one was the True Cross. Top Medallion The top medallion shows the story of how they figured out which cross was the one Jesus Christ died on. Soon after finding the crosses, they saw a dying person passing by and asked him touch each cross. Legend states that the True Cross healed the man. This act is shown to be blessed by God by use of the rays and God’s hand. Comparison Analysis As a whole, the Stavelot Triptych is fascinating and very ornate, though that was not unusual for this time period. Since many churches were commissioning elaborate reliquaries for their magnificent relics, works of such ornate and elaborate craftsmanship were becoming common and held similar characteristics. The elements and conventions of the Stavelot Triptych, while detailed and beautiful, were very typical of Romanesque art. Within 50 years of the Stavelot Triptych being created, another famous work was created that held very similar elements. This was the Reliquary of St. Maurus. Similarities Both the Stavelot Triptych and the Reliquary of St. Maurus were created by Mosan artisans and commissioned by churches in what is now known as Belgium. Mosan artists were craftsmen from the Meuse valley, which is on the modern-day border between Germany and Belgium. These artists were in high demand during the Romanesque era and created such works as the “Baptismal font at St Bartholomew’s Church in Liège, the Shrine of Saint Servatius in Maastricht, the Shrine of Saint Hadelin in Vise, the Shrine of Saint Remacle in Stavelot, the Shrines of Saint Domitian and Saint Mangold in Huy, the Shrine of Our Lady at Tournai Cathedral, Shrine of the Three Kings at Cologne Cathedral, Shrines of Charlemagne and Mary at Aachen Cathedral, the Barbarossa Chandelier at Aachen Cathedral, the Stavelot alter base, Retable of the Pentecost and the Reliquary with head of Pope Alexander I” (Wikipedia). Aside from being created by artists from the same area, the Stavelot Triptych and the Reliquary of St. Maurus have several elements in common, which were typical of that time. Both works were made of wood, were heavily gilded, were decorated with enamelwork and were inlaid with precious stones. While one is a triptych and the other a chasse, a chest with slanted roofs, they both have the same purpose: to house precious religious relics. As such, they are both covered in depictions of saints and religious figures. In typical Romanesque fashion, the figures are shown in motion and with narrative qualities. Both pieces also contain medallions which tell stories of the persons important to each reliquary and have labels along with various indicative text. These works also have an increased amount of detail and depictions of the ground, which are typical features of Romanesque art. Religious Importance When creating the Stavelot Triptych, the artist created a work that is mesmerizing and timeless. This work, while typical of its time, is fascinating and worth the esteem it receives. Aside from being the housing for religious artifacts, this work is important because it is a combination of two styles: Byzantine reliquaries housed inside a Romanesque reliquary. This was entirely unique and allows us to fully compare the two styles. The Stavelot Triptych is also important because it is evidence of a person being able to safely travel great distances during that era. Traveling great distances was new to that time period and the combination of two art styles from two different areas made during this era shows that people could travel successfully. And the final reason the Stavelot Triptych is important is because it shows that Romanesque art had an interest in the narrative of telling stories with lively characters, which was a big change from the stoic and stiff characters from Byzantine art, thus providing a segue between Byzantine art and Western Medieval art. Conclusion Overall, the Stavelot Triptych is a very important and stunning piece of Romanesque Mosan artwork that has retained its importance and veneration for generations. Whether or not we ever discover who commissioned it, who created it and whether or not the artifacts inside are truly what they claim to be, this work will always hold an aura of mysticism and reverence. Its significance as a religious artifact as well as the artistic skill used in creating this work have made it a timeless work that will maintain admiration and adoration for decades to come. Works Cited “Concise History of the Reliquary and Its Restoration.” Relikviar Sv Maura. N.p., n.d. Web. 11 Dec. 2014. <http://www.svatymaur.cz/en/restoration/concise-history-of-the-reliquary-and-it.html>. Petzold, Dr Andreas. “Khan Academy.” Khan Academy. N.p., n.d. Web. 10 Dec. 2014. <https://www.khanacademy.org/humanities/medieval-world/latin-western-europe/romanesque1/a/a-beginners-guide-to-romanesque-art>. “Reliquary of St. Maurus.” Memim Encyclopedia. N.p., n.d. Web. 11 Dec. 2014. <http://memim.com/reliquary-of-st.-maurus.html>. “Reliquary of St. Maurus.” Wikipedia. Wikimedia Foundation, 12 Mar. 2014. Web. 11 Dec. 2014. <http://en.wikipedia.org/wiki/Reliquary_of_St._Maurus>. “Romanesque Art.” Wikipedia. Wikimedia Foundation, 12 Nov. 2014. Web. 11 Dec. 2014. <http://en.wikipedia.org/wiki/Romanesque_art>. Ross, Nancy. “Stavelot Triptych.” 10 Dec. 2014. Lecture. Sorabella, Jean. “Pilgrimage in Medieval Europe.” The Metropolitan Museum of Art. Heilbrunn Timeline of Art History, Apr....

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